“Anger makes us lash out at others, destroying relationships and revealing our true nature. The history of the human race is largely the history of its anger.”
“Stepan Arkadyevitch was a truthful man in his relations with himself. He was incapable of
deceiving himself and persuading himself that he repented of his conduct. He could not at this
date repent of the fact that he, a handsome, susceptible man of thirty-four, was not in love with
his wife, the mother of five living and two dead children, and only a year younger than himself.
All he repented of was that he had not succeeded better in hiding it from his wife. But he felt all
the difficulty of his position and was sorry for his wife, his children, and himself. Possibly he
might have managed to conceal his sins better from his wife if he had anticipated that the
knowledge of them would have had such an effect on her. He had never clearly thought out
the subject, but he had vaguely conceived that his wife must long ago have suspected him of
being unfaithful to her, and shut her eyes to the fact. He had even supposed that she, a worn-
out woman no longer young or good-looking, and in no way remarkable or interesting, merely
a good mother, ought from a sense of fairness to take an indulgent view. It had turned out
quite the other way.”
“The Bible is a record of sin, deceit, immorality of every kind, disobedience, hypocrisy and God’s amazing grace and love. The heroes we admire were people just like us. They failed miserably at times, they sinned regularly, and yet they found love, acceptance, forgiveness and mercy to be the free gifts of God. His love drew them into intimate relationship with Him, empowered them to do great things, and taught them to enjoy the life that He has provided.”
“When power leads man towards arrogance, poetry reminds him of his limitations. When power narrows the areas of man's concern, poetry reminds him of the richness and diversity of his existence. When power corrupts, poetry cleanses, for art establishes the basic human truths which must serve as the touchstones of our judgement. The artists, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state. The great artist is thus a solitary figure. He has, as Frost said, "a lover's quarrel with the world." In pursuing his perceptions of reality he must often sail against the currents of his time. This is not a popular role.”
“But perhaps it is always so, that men form their conceptions from fictitious, conventional
types, and then—all the combinations made—they are tired of the fictitious figures and begin
to invent more natural, true figures.”
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