“We need to find God and God cannot be found in noise and restlessness. God is the friend of silence. See how nature—trees and flowers and grass—grow in silence. See the stars, the moon and the sun, how they move in silence. The more we receive in silent prayer, the more we can give in our active life.”
“There can be no freedom without order, and there is no order without virtue. Now, that’s a simple enough formulation, but it’s an insight found not only in the writings of Founding Fathers like Washington or great political thinkers like Edmund Burke; it is also found in a great part of our Judeo-Christian tradition.”
“I felt that what I had been standing on had collapsed and that I had nothing left under my
feet. What I had lived on no longer existed, and there was nothing left.
“We’ve tried calling sin “errors” or mistakes” or “poor judgment,” but sin itself has stayed the same. No matter how we try to salve our conscience, we’ve known all along that men are still sinners; and the results of sin are still disease, disappointment, disillusionment, despair, and death.”
“Imagine if you were asked by your country to be an ambassador to an enemy nation. You would probably have to learn a new language and adapt to some customs and cultural differences in order to be polite and accomplish your mission. As an ambassador you would not be able to isolate yourself from the enemy. To fulfill your mission, you would have to have contact and relate to them.”
“Humanity wants comfort in its sorrow, light in its darkness, peace in its turmoil, rest in its weariness, and healing in its sickness and diseases: The Gospel gives all of this to us.”
“I am convinced that even violent temperaments can be channeled through nonviolent discipline, if they can act constructively and express through an effective channel their very legitimate anger.”
“We are, not metaphorically but in very truth, a Divine work of art, something that God is making, and therefore something with which He will not be satisfied until it has a certain character. Here again we come up against what I have called the “intolerable compliment.” Over a sketch made idly to amuse a child, an artist may not take much trouble: he may be content to let it go even though it is not exactly as he meant it to be. But over the great picture of his life—the work which he loves, though in a different fashion, as intensely as a man loves a woman or a mother a child—he will take endless trouble—and would doubtless, thereby give endless trouble to the picture if it were sentient. One can imagine a sentient picture, after being rubbed and scraped and re-commenced for the tenth time, wishing that it were only a thumb-nail sketch whose making was over in a minute. In the same way, it is natural for us to wish that God had designed for us a less glorious and less arduous destiny; but then we are wishing not for more love but for less.”
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