“We are never to do anything of which we are not perfectly clear and certain. If you have a doubt about that particular thing that is bothering you, as to whether it is worldly or not, the best policy is “don’t do it.”
“The focus on self has led our society into a fascination with pleasure, emotional and sexual stimulation, and “personal fulfillment.” America’s compulsion for “maximum personhood” is evidenced everywhere.”
“What a dolt my father sends me for weaponry,” Paul intoned. “This doltish Gurney Halleck has forgotten the first lesson for a fighting man armed and shielded.” Paul snapped the force button at his waist, felt the crinkled-skin tingling of the defensive field at his forehead and down his back, heard external sounds take on characteristic shield-filtered flatness. “In shield fighting, one moves fast on defense, slow on attack,” Paul said. “Attack has the sole purpose of tricking the opponent into a misstep, setting him up for the attack sinister. The shield turns the fast blow, admits the slow kindjal!” Paul snapped up the rapier, feinted fast and whipped it back for a slow thrust timed to enter a shield’s mindless defenses.”
“But those two circles, above all the point at which they touched, are the very thing I am mourning for, homesick for, famished for. You tell me 'she goes on.' But my heart and body are crying out, come back, come back. Be a circle, touching my circle on the plane of Nature. But I know this is impossible. I know that the thing I want is exactly the thing I can never get.”
“The American story has never been about things coming easy. It has been about rising to the moment when the moment is hard. About rejecting panicked division for purposeful unity. About seeing a mountaintop from the deepest valley. That is why we remember that some of the most famous words ever spoken by an American came from a president who took office in a time of turmoil: "The only thing we have to fear is fear itself.”
“We are, not metaphorically but in very truth, a Divine work of art, something that God is making, and therefore something with which He will not be satisfied until it has a certain character. Here again we come up against what I have called the “intolerable compliment.” Over a sketch made idly to amuse a child, an artist may not take much trouble: he may be content to let it go even though it is not exactly as he meant it to be. But over the great picture of his life—the work which he loves, though in a different fashion, as intensely as a man loves a woman or a mother a child—he will take endless trouble—and would doubtless, thereby give endless trouble to the picture if it were sentient. One can imagine a sentient picture, after being rubbed and scraped and re-commenced for the tenth time, wishing that it were only a thumb-nail sketch whose making was over in a minute. In the same way, it is natural for us to wish that God had designed for us a less glorious and less arduous destiny; but then we are wishing not for more love but for less.”
“There was no answer, except the general answer life gives to all the most complex and
insoluble questions. That answer is: one must live for the needs of the day, in other words,
become oblivious.”
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