“The architect of popular culture is none other than Satan. He is the chief designer and chief marketer, and he has been branding worldliness since the beginning of time. His methods are shifty and constantly in motion, changing fads and trends to keep the world running in circles, trying to keep up with the latest and greatest.”
“He had no faintest conception till that very hour of how they would look, and even doubted their existence. But when he saw them he knew that he had always known them and realized what part each one of them had played at many an hour in his life when he had supposed himself alone, so that now he could say to them, one by one, not ‘Who are you?’ but ‘So it was you all the time.’ All that they were and said at this meeting woke memories. The dim consciousness of friends about him which had haunted his solitudes from infancy was now at last explained; that central music in every pure experience which had always just evaded memory was now at last recovered...He saw not only Them; he saw Him. This animal, this thing begotten in a bed, could look on Him. What is blinding, suffocating fire to you is now cool light to him, is clarity itself, and wears the form of a man.”
“In a...media environment that bombards us with all kinds of content and exposes us to all kinds of arguments, some of which don't always rank that high on the truth meter...Information [can] become a distraction, a diversion, a form of entertainment, rather than a tool of empowerment, rather than the means of emancipation.”
“What I know for sure is that every day brings a chance for you to draw in a breath, kick off your shoes, and step out and dance—to live free of regret and filled with as much joy, fun, and laughter as you can stand. You can either waltz boldly onto the stage of life and live the way you know your spirit is nudging you to, or you can sit quietly by the wall, receding into the shadows of fear and self-doubt.”
“He knew she was there by the rapture and the terror that seized on his heart. She was
standing talking to a lady at the opposite end of the ground. There was apparently nothing
striking either in her dress or her attitude. But for Levin she was as easy to find in that crowd
as a rose among nettles. Everything was made bright by her. She was the smile that shed light
on all round her. "Is it possible I can go over there on the ice, go up to her?" he thought. The
place where she stood seemed to him a holy shrine, unapproachable, and there was one
moment when he was almost retreating, so overwhelmed was he with terror. He had to make
an effort to master himself, and to remind himself that people of all sorts were moving about
her, and that he too might come there to skate. He walked down, for a long while avoiding
looking at her as at the sun, but seeing her, as one does the sun, without looking.
“Be worried if you always flock in the company of people who peel off other people's skins with their teeth in their absence. A time will come when they'll try to pick a bite on you too!”
“These were eye-opening years for me. When I’d come back to Warner Brothers after the war, I’d shared the orthodox liberal view that Communists—if there really were any—were liberals who were temporarily off track, and whatever they were, they didn’t pose much of a threat to me or anyone. I heard whispers that Moscow wanted to infiltrate the world’s most powerful medium of entertainment, but I’d passed them off as irrational and emotional red baiting. Now I knew from firsthand experience how Communists used lies, deceit, violence, or any other tactic that suited them to advance the cause of Soviet expansionism. I knew from the experience of hand-to-hand combat that America faced no more insidious or evil threat than that of Communism.”
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